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Location: New England
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Peter Berkrot (everyman, dozens of regional and international dialects) Oscar Castillo (English, Spanish, announcer, narration, looping, character, cartoon voices, warm, inviting, subtle, hard sell, in your face) Chris Ciulla (Everyman, sexy, confident, real. Accents & Dialects: Boston, New York (Brooklyn and Little Italy), Midwest, Chicago, Southern, Texan, British, Cockney, Irish, Russian, Spanish, Italian, Slavic)
Jack Neary Tony Ramos Wright Steve Cook Donald Cronin (announcer, warm, pleasing, engaging, cartoon, character, newsman, narrator, Irish brogue) Jonathan Donahue (narrative, announcer, crazy characters) Alexander Fagan (Accents: New England, Boston, Southern. Announcer, conversational, warm, friendly, honest, boy next door, college student, child, character, animated, tenor) Michael Fisher - (bass range, narrator, [jargon: statistical, legal, medical]) John Fogle (mature but lively, announcer, father, grandfather, comic, cartoons, many accents) Jerem Goodwin (conversational, announcer. Accents: southern, southwestern) Paul Held (Accents: British, Cockney, Irish, German, Russian, New England, Victorian, Southern. Professional, warm, engaging, conversational, baritone ) JC Haze (age range: 30-60, "dad," natural, friendly, serious, comedic, announcer) Bernie Hutchens -(neutral accent, convincing, articulate, warm) Bob Kuhn Leo J. Maloney Shawn Mayers Josh McBride - (Conversational, comedic, announcer) Mike McGonegal Michael Forden Walker - (dramatic, comedic and friendly, professional and technical narrator, cartoon characters) Talor Waintrup - (warm, friendly, conversational, guy next door) Alan White - (no regional accent, multiple dialects, character)
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Francene Amari Christine Anos (warm, friendly, girl next door, smart, clear, honest)
Carol Austin Alecia Batson - (English (native speaker) • Accents: American (neutral), German, Italian, Texan, southern, British (RP), Hispanic (Mexican). Fluent Spanish & French • light lyric Coloratura • soprano • quirky • fun • college • young • conversational • animated • authoritative • knowledgeable • approachable • friendly • erudite) Maribel Collazo Amanda George Jen Alison Lewis Sam Pannier Tara Price Debbie Rich Kris Sidberry - (accents: Southern) Jennifer Antkowiak (accents: Boston, flat, southern. Conversational, announcer, spokesperson, warm, friendly, classy, sophisticated, sexy, deep, full, professional, young-middle aged, energetic, sweet, melodic. Heather Bonin (Accents: American, British, Southern, Spanish pronunciation. Announcer, conversational, monotone (flat), mid-lower range female vocals, serious, angry, excited, happy, silly, narration, motherly, dry, sarcastic) Juliet Bowler - (warm, authoritative and engaging. Mezzo Soprano vocally. Accents: Australian, British - BBC English, British – Cockney, British - Lancashire, British – Liverpool, British - Yorkshire, Canadian, French, German, Irish (including Northern), Midwest, New England - Boston, New York, Scottish, Southern) Cindy Brooks
Amy Evans - (warm, friendly, cheerful, encouraging, soothing, confident, announcer, narrator) CJ Robbins Monica Shea - (announcer, news, conversational, non-regional, southern, alto, raspy, sexy) Valerie Stanford - (announcer, professional, unique. slightly smoky - accents:Boston, New York, Southern, Irish, British, Cockney, Eastern European.)
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Started by Perry Persoff. Last reply by Curtis Eames Apr 12. 6 Replies 0 Likes
Started by Bradley J. Van Dussen. Last reply by Paul Horn Dec 5, 2008. 1 Reply 0 Likes
Post something here:
Posted by Jeff Bellin on April 30, 2012 at 2:39pm Thanks June and Carlyne. I have already been in touch with her. I have previously worked with Jordan Rich at Chart Productions, and my demo was done through Jordan. I was thinking about getting a fresh perspective, and she and Brian and I met for an hour over the weekend to assess things. What they are proposing is two 3-hour intensive sessions and then produce another demo. Cost would be low 4-figures in all, which is a large chunk, but not impossible if it would likely result in a significant jump for me.
I have done several voice gigs, but nowhere near the number of video/film gigs I have been cast in. I want to up the ante on the voice stuff.
Posted by Carlyne Fournier on April 30, 2012 at 2:14pm To Jeff and June, i couldn't have said it better then June. I luuuuuv working with Dorothy and Brian. I have taken every level they offer and some workshop and now feel totally prepared to enter the world of Voice Over and i have great demo as well because of them... Call her!
Posted by Jeff Bellin on April 30, 2012 at 10:02am
Posted by William Xifaras on April 30, 2012 at 9:42am Yes Jeff, I've worked with Dorothy Gallagher numerous times and have only great things to say about her.
She's very knowledgable in her craft, has much experience, and is an incredible Voice Over instructor.
Posted by Mike "The Mic " Jablon on April 22, 2012 at 12:56pm
Posted by Michelle Falanga on April 22, 2012 at 12:35pm I need to know things like: Is my Audacity program sufficient and if so, how to select the correct settings on that when recording and saving aup. files, if the snowball and USB connection is the problem - like Mike mentioned, what are my other options....I need to have a professional quality sound and I kind of need "hand holding" to get to that point. Need someone to look at what I have, troubleshoot to know where I am lacking and get me up and running sounding great!!!!! I need a miracle, on a budget...ha ha...
Posted by Mike "The Mic " Jablon on April 22, 2012 at 11:12am
Posted by Joell A. Jacob on April 22, 2012 at 10:58am Michelle,
Look up Dan Lenard. He may not be able to come to your house, but he does a great job at helping you set up via Skype. I recently hired him and he's been a great help. Good luck!
Posted by Mike McGonegal on April 22, 2012 at 10:24am Michelle,
It might not be the PortaBooth that's at fault - it's probably more likely the SNOWALL and the USB signal path that you're using. While USB mics are good for auditions, there's a reason professional studios don't use them... To test things out, run your SNOWBALL into a heavily padded room (like a closet), and do a quick recording. If you hear more line noise (static or other unaccounted for noise) than ambient room noise (the neighbors, cars, etc.); the problem is the USB signal path and not your recording environment.
If that's the case, you'll need to find a way to solve that problem first becuase having an awesome recording environment will just make a crappy signal chain that much worse...
...and while yes, $349 for a Porta-Booth is a bit on the pricey side, it's very short money considering what you'll invest in the craft to be able to play on an international level.
Hope this helps some and doesn't intimidate you at all. :-)
-Mike
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