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Anne Damon
  • Female
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Anne Damon knows these actors:

  • Oscar J. Castillo

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Profile Information

Member's contact info (email and phone or agent):
781-391-4771 (h)
781-856-9360 (c)
anne_damon@comcast.net
Member's age range:
46-50, 51-55
Member's Affiliations:
AFTRA, SAG
Member's PHYSICAL TRAITS (use format on the "Before Applying" page)
Small, middle-aged, middle-American looking woman; perfect for
extra/background work -- guaranteed not to stand out in any way! -- unless, of course, directed to do so. Has car, can drive stick shift. Comfortable in business/professional settings. Has workable, conversational French.
Recent noteworthy acting experience (use the format on the Before Applying page):
Extra/background work in films (I Hate You Dad, Moonrise Kingdom, Ted, Here Comes The Boom, I Don't Know How She Does It, What's Your Number, The Town, The Proposition) and television (Body of Proof, pilots for The Quinn-Tuplets, Boston's Finest); several television projects with WGBH, Boston, including Connect With English, The Scarlet Letter, and on-air hosting); extensive theatre experience (non-professional) in the Boston area (Vokes Players, AFD, Footlight Club, etc.); video/film training with Weist-Barron Studios in NYC, Dolly Springer in Boston; theatrical training at Circle in the Square and Herbert Berghof Studio in NYC.
Other non-acting related work, hobbies or charities (not skills) in which this actor is involved (1 or 2 word descriptions):
Primarily non-professional community theatre. Former Board member of the Eastern Massachusetts Association of Community Theatres; the Massachusetts High School Drama Guild (sponsors of the annual Globe Drama Festival); and several local theatre companies.
VOICE ARTISTS ONLY [you must have a professional demo to upload]: illustrative 1-word descriptions for this actor's voice (e.g. conversational, announcer, warm, etc.):
Trained in presentational (announcer, spokesperson, etc.), theatrical, and conversational styles; facility with both American regional and foreign accents.

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